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Robert Fischer

Robert Fischer

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Known For

  • Monsieur Truffaut Meets Mr. Hitchcock
  • The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
  • Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand
  • Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz
  • Contract Kid: William Reynolds on Douglas Sirk
  • Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’
  • Of Love and Constraints
  • Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered
  • Ernst Lubitsch in Berlin: From Schönhauser Allee to Hollywood
  • Acting for Douglas Sirk
  • Ted Kotcheff's Gourmet Cinema
  • Fassbinder in Hollywood
  • Pure Cinema: Joe Napolitano on Brian De Palma's Body Double
  • Requiem for a Killer: The Making of 'Blast of Silence'
  • Return to Philadelphia: George Litto on 'Blow Out'
  • Rag Doll Memories: Nancy Allen on 'Blow Out'
  • Black and White in Color: Vilmos Zsigmond on 'Blow Out'
  • Traveling Roadshow
  • Jack Arnold Remembers The Incredible Shrinking Man
  • The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited
  • Touching Death: Alejandro Amenábar on 'Tesis'
  • A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'
  • Program Notes: An Introduction To The Last Detail By Alexander Payne
  • Starting Out: The Making of Jerzy Skolimowski's Deep End
  • A Winter's War: Keith Gordon on 'A Midnight Clear'
  • Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram
  • Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
  • Painting with Light: Nicholas von Sternberg on Josef von Sternberg
  • The Mysteries of Paris: Jacques Rivette's Out 1 Revisited
  • Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
  • Before Taking Off: Milos Forman’s Road to America
  • Perspectives on Othello: Joseph McBride on Orson Welles
  • Will He Live or Will He Die: Walter Hill on Southern Comfort
  • Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
  • G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak
  • G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak
  • The Beast Inside: Creating 'Wolf'
  • Cinema Redefined: Jacques Rivette's L'Amour Fou Revisited
  • Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
  • Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
  • Swan Song: The Story of Billy Wilder's Fedora
  • Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
  • A Tribute to Douglas Sirk by Allison Anders
  • Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
  • The Poet and the Filmmaker: Volker Schlöndorff on Baal
  • Dalton Trumbo: Rebel in Hollywood
  • A Cinema of Signs: Claude Chabrol on Alfred Hitchcock
  • Love Letters
  • 'Deep End': Remembering the Deleted Scenes
  • Life As It Is: Miloš Forman on Miloš Forman
  • Return to Beethoven Street: Sam Fuller in Germany
  • Rumble on the Lot: Walter Hill's Streets of Fire Revisited
  • The Fury: A Location Journal
  • Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'
  • Erinnerungen an 'Väter und Söhne'
  • Outer Movement, Inner Movement
  • The Making of Highlander
  • Expedition Amazonia
  • About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'