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Jean Rouch

Jean Rouch

From Wikipedia, the free encyclopedia Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.

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Known For

  • Les Fils de l'eau
  • Cock-A-Doodle-Doo! Mr Chicken
  • Moi, un Noir
  • Six in Paris
  • The Mad Masters
  • Chronicle of a Summer
  • The Lion Hunters
  • I'm Tired of Standing, I Lie Down
  • Cousin, cousine
  • Jaguar
  • Little by Little
  • Horendi
  • The Human Pyramid
  • Dionysos
  • A Friendly Handshake
  • Liberté, égalité, fraternité, et puis après...
  • In the Land of the Black Magi
  • The Punishment
  • Babatou, Three Pieces of Advice
  • The Magicians of Wanzerbé
  • The Ordinary Madness of a Daughter of Ham
  • Sigui 1967: L'enclume de Yougo
  • Sigui 1968: The Dancers of Tyogou
  • Sigui 1970: The Clamours of Amani
  • Sigui 1971: The Dune of Idyeli
  • Sigui 1972: The Loincloths of Yamé
  • Sigui 1973: The Canopy of Circumcision
  • Ayorou Singing Stones
  • Boukoki
  • The Burial of the Hogon
  • Drums from the Past
  • Funeral Rites for Women in Bongo
  • Damouré Speaks About AIDS
  • Announcement
  • Pam Kuso Kar (Breaking Pam's Vases)
  • Mammy Water
  • Architects of Ayorou
  • Cemeteries in the Cliff
  • Ispahan: A Persian Letter (The Chah Mosque at Ispahan)
  • Battle on the Great River
  • Madame l'eau
  • Un lion nommé l'Américain
  • Ciné-mafia
  • Dogon Drums, Elements of a Study in Rhythm
  • The Fifteen-Year-Old Widows
  • Brise-glace
  • Brise-glace : Bateau givre
  • Sigui Synthesis: The Invention of Speech and Death
  • Makwayela
  • Circumcision
  • Enigma
  • Niger Festivals: December 1961 - Niger Independence Days
  • Ciné-Portrait of Raymond Depardon
  • The Rainmakers
  • Baby Ghana
  • Moro Naba
  • Initiation into the Dance of the Possessed
  • Une sortie de novices de Sakpata
  • Le Rêve plus fort que la mort
  • The Dama of Ambara: To Enchant Death
  • Daouda Sorko
  • Gare du Nord
  • Sigui 1969: The Cave of Bongo
  • Funeral at Bongo: The Death of Old Anai
  • Hampi
  • Yenendi de Ganghel (Rain Dance at Ganghel)
  • Germaine chez elle
  • Hommage à Marcel Mauss. Germaine Dieterlen
  • Germaine et ses copains
  • Badye, the Storyteller
  • Zomo et ses frères
  • L'Afrique et la recherche scientifique
  • Monsieur Albert, prophète
  • That Tender Age
  • Hombroï
  • Les gens du mil
  • La royale goumbé
  • Le palmier à l'huile
  • Les cocotiers
  • Abidjan, port de pêche
  • Urbanisme africain
  • Le mil
  • Les pêcheurs du Niger
  • Rose et Landry
  • The Goumbé of the Young Revelers
  • Boulevards d'Afrique
  • VW-Voyou
  • Giraffe Football or “The Alternative”
  • Margaret Mead: A Portrait By a Friend
  • Mya - la mère
  • Funérailles au Ghana
  • Couleur du temps. Berlin, Août 1945