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Vivian Ostrovsky

Vivian Ostrovsky

Vivian Ostrovsky (born on November 17th 1945 in New York, United States) is an experimental filmmaker and curator. Despite being born in New York, Ostrovsky spent most of her childhood in Rio de Janeiro, Brazil and did her secondary studies there. She then pursued her studies in psychology and film at the Sorbonne University in Paris. She began working for Ciné-Femmes, a group which fought for feminism and its recognition. In 1980, she became a filmmaker and abandoned her career as an activist. She organized a number of festivals, one of them being Jerusalem. Ostrovsky’s films explore the theme of transit and she situates herself after French filmmaker and critic, Yann Beauvais between the “journal film” and the “collage film”.

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Known For

  • Son chant
  • Ice/Sea
  • A Skitsch
  • Plunge
  • But Elsewhere Is Always Better
  • Copacabana Beach
  • Nikita Kino
  • Eat
  • Allers-Venues
  • U.S.S.A.
  • Work and Progress
  • M.M. In Motion
  • Public Domain
  • American International Pictures
  • Movie
  • Anna Bella Geiger
  • UTA MAKURA (PILLOW POEMS)
  • Losing the Thread
  • CORrespondência e REcorDAÇÕES
  • The Title Was Shot
  • DizzyMess
  • Telepattes
  • P.W. – Paintbrushes and Panels
  • Hiatus
  • Fone Fur Follies
  • Tatitude
  • Unsound
  • Wherever Was Never There
  • ***