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José A. Ferreyra

José A. Ferreyra

From Wikipedia, the free encyclopedia José Agustín Ferreyra, credited as José A. Ferreyra and popularly known as "Negro Ferreyra" was an early Argentine film director, screenwriter and film producer. He was also sometimes credited as production designer. Ferreyra began simultaneously directing and screenwriting for film in 1915, and moved on to success directing films such as Palomas rubias in 1920. His films tended to focus on lower-class family drama, most notably Perdón, viejita (1927), and were filmed on a low budget and with little to no script as a guide. Ferreyra prevailes through the 1920s and 1930s as a distinguished filmmaker of the masses, but was displaced in the late 1930s and early 1940s by big budget cinema. He directed over 40 films and wrote the scripts for the majority of them between 1915 and 1941, working with noted actors such as Libertad Lamarque and Mario Soffici on his screen debut, before moving on to directing. He died on 29 January 1943 from throat cancer.

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Known For

  • Una noche de garufa
  • Venganza gaucha
  • La fuga de Raquel
  • El tango de la muerte
  • La isla misteriosa
  • De vuelta al pago
  • Campo ajuera
  • Gaucho Rapsody
  • The Gaucho's Song
  • Calles de Buenos Aires
  • Mañana es domingo
  • El cantar de mi ciudad
  • La mujer y la selva
  • La chica de la calle Florida
  • The Return to the Crash Pad
  • Perdón, viejita
  • Bewitching Kisses
  • Ayúdame a vivir
  • La gaucha
  • Palomas rubias
  • Buenos Aires, ciudad de ensueño
  • Corazón de criolla
  • La muchacha del arrabal
  • Melenita de oro
  • La leyenda del puente inca
  • La maleva
  • El arriero de Yacanto
  • Odio serrano
  • Mi último tango
  • Mientras Buenos Aires duerme
  • El organito de la tarde
  • La costurerita que dio aquel mal paso
  • Muchachita de Chiclana
  • La ley que olvidaron
  • Buenos Aires Dolls
  • Puente Alsina
  • Muchachos de la ciudad
  • Sol de Primavera
  • Chimbela
  • El ángel de trapo
  • La que no perdonó
  • Pájaros sin nido