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Paolo Gioli

Paolo Gioli

Paolo Gioli was born in Sarzano di Rovigo in 1942; he studied at the Fine Arts Academy in Venice and then in New York, where he came into contact with the New American Cinema, the New York School, and where he met Leo Castelli and Martha Jackson. In 1970 he settled in Rome where he frequented the authors of the Cooperativa Cinema Indipendente and the Filmstudio, and started to produce his own films. He moved to Milan in 1976 and focused his attention on photography: in this period he started using polaroid photos as a powerful means to broaden his research on instant photography, printing his work on different materials such as paper and canvas. Gioli is considered one of the most important photographers and film makers of his generation, and has held numerous solo exhibits in some of the most important museums such as the Centre Pompidou in Paris, the MoMA in New York and the Palazzo delle Esposizioni in Rome.

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Known For

  • Filmarilyn
  • Pinhole Film (The Man Without a Movie Camera)
  • Piccolo film decomposto
  • Filmfinish
  • When the Eye Quakes
  • Commutations with Mutations
  • Tracce di tracce
  • Traumatografo
  • According to My Glass Eye
  • Of Diving and of Drowning
  • Hilarisdoppio
  • Images Disturbed by an Intense Parasite
  • Face : canvas : texture
  • The Perforated Cameraman
  • Metamorphic
  • Images Overtaken by the Wheel of Duchamp
  • Children
  • I volti dell’Anonimo
  • Il finish delle figure
  • Extremotions
  • Finestra davanti ad un albero
  • The Naked Killer
  • Unstable Figures Amidst Vegetation
  • Cineforon
  • Real Image / Virtual Image
  • Anonimatografo
  • The Screen, Just the Screen
  • Flutter
  • Face Caught in the Dark
  • Rothkofilm
  • When Faces Touch
  • Volto telato
  • Paolo Gioli: Antologia film
  • When the Film Gets Hot
  • The Graven Face
  • Frameline
  • When Bodies Touch
  • Rectoinverso
  • Tessitura calda
  • Natura Obscura
  • Land's Red