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Želimir Žilnik

Želimir Žilnik

From Wikipedia, the free encyclopedia Želimir Žilnik is a Serbian film director and one of the major figures of the Yugoslav Black Wave. He is noted for his socially engaging style and criticism of censorship that was commonplace during the Yugoslav communist era. Subsequently, following the abolition of communist one-party system, he was an outspoken critic of Slobodan Milošević-led regime in Serbia. Description above from the Wikipedia article Želimir Žilnik, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Known For

  • House Orders
  • Under the Protection of the State
  • Hot Paychecks
  • Request
  • Farewell
  • The Old School of Capitalism
  • Early Works
  • Kenedi Goes Back Home
  • Kenedi Is Getting Married
  • Oldtimer
  • Pretty Women Walking Through the City
  • Marble Ass
  • Tito Among the Serbs for the Second Time
  • The Unemployed
  • Little Pioneers
  • June Turmoil
  • Newsreel –  Showing the Life of Village Youth
  • Black Film
  • Brooklyn - Gusinje
  • Public Execution
  • Kenedi, Lost and Found
  • I Do Not Know What That Should Mean
  • Paradise. An Imperialist Tragicomedy
  • The Comedy and Tragedy of Bora Joksimovic
  • Uprising in Jazak
  • Stanimir Descending
  • The First Trimester of Pavle Hromis
  • Cosmo Girls
  • Second Generation
  • Logbook_Serbistan
  • The Illness and Recovery of Buda Brakus
  • Fortress Europe
  • Inventory
  • Dragoljub and Bogdan
  • Our Man in Gabon
  • Throwing Off the Yolks of Bondage
  • Wanderlust
  • For Ella
  • Silo Danube, Vukovar
  • Market People
  • Among the People: Life & Acting
  • Black and White
  • One Woman – One Century
  • Vera and Erzika
  • Good Morning, Belgrade
  • EXIT in the Morning
  • Europe Next Door
  • Danube Soap Opera
  • Pirika on Film
  • The Most Beautiful Country in the World
  • The Way Steel Was Tempered
  • Cinetracts '20
  • Eighty Plus