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Marian Dora

Marian Dora

Marian Dora is the pseudonym most commonly used by an anonymous German director, cinematographer, actor, screenwriter, editor, producer, composer, assistant director, makeup artist, special effects/sound/camera/electricity technician, and set decorator/designer, anagram of his actual name, occasionally also credited under several other pseudonyms. Dora’s main influence is the European cinema of the 70s: he is a great admirer of the work of Italian directors Gualtiero Jacopetti, Ruggero Deodato, and Sergio Martino, as well as of composers Riz Ortolani, Pippo Caruso, Ennio Morricone, and Guido & Maurizio De Angelis. Europe’s literary and poetical tradition is another major influence on Dora: many dialogues in his films contain references to the works of Johann Wolfgang von Goethe, Eduard Mörike, Georg Büchner, Marquis de Sade, Friedrich Nietzsche, and many others.

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Known For

  • Provokation
  • Cannibal
  • Melancholie der Engel
  • Thomas and Marco
  • Voyage to Agatis
  • The Profane Exhibit
  • The Yearning Of Maria D.
  • Der Puppenschänder 2
  • Polydipsia
  • Carnophage
  • Sane Impression 1
  • Es geschah in Gotha
  • Journey into Perversion
  • Sad Impression
  • Sane Impression 2
  • Erotic Fantasy
  • Vita Minima
  • Science
  • Opus Hominis 2
  • Erotic Fulfillment
  • Proud Off
  • Morbid Montage
  • The Devil's Torturer
  • Mors in Tabula
  • Debris Documentar
  • Carcinoma
  • Silencio Dei Morti
  • Caribbean Sunrise
  • Christian B.
  • A Springtime Morning
  • Under Cemetery 2: Guanajuato
  • Cadavericon
  • The Dead of San Angelo
  • Blight Of Humanity
  • Opus Hominis
  • GORE TAPES
  • White Gardenia: The King James Bible