Flower of Battle

Directed by Simon Bogojević-Narath

The Arcadian atmosphere of a hazy underworld hosts unusual characters: an Illusionist, a Civil Entity, a Wooden Puppet and a silent, but dangerous Swordsman. Their mysterious and bizarre experiences are an allegory of the relationship between the now extinct tradition of European combat swordsmanship and the doctrine of pragmatic political action. Is the end of the allegory also a beginning of an instructive misunderstanding?